One of my most unique and special opportunities I had working at Aikiyam School was getting to link my class in Everett, WA with Selvaraj's Second Standard class. The project involved both classes writing short bios about themselves, including pictures/illustrations of them, their homes, and/or their families, and a creative partner story in which my class wrote the first half, and Selva's class the second.
At first, I wasn't sure how it was going to turn out... my class had done a lot of independent writing, often collaborating with peers for ideas and help revising on THEIR own work, but never creating story together. I was a little doubtful that I could get my 25 students to work together to create only one story--share the vision and create a story--only to the halfway point, nonetheless. Would they be able to work together? Would they each be able to share the load equally, or would a few students take over it all? Would they be willing to let go of the story after they wrote to the climax? Would they like what the Indian class wrote to finish the story and would they learn from them? These were all questions I had about my own class. And then I had qualms about working with a class that I didn't know and didn't know me! So, I did what a teacher always does and reach into my bag of tricks to see where I could start, and talk to others to find out their ideas in order to help me lead a successful project.
My professor, Jean, was a big help. She had done and assisted teachers who had done similar projects and I was able to see many examples. She shared a book, The Partnership Stories Project Directory by Jean Eisele, which provided some theory and tips for implementing partner stories. She communicated with Selvaraj and coordinated the project. Selva had done a similar project with another UW student in the past, and seemed excited to work with me on another collaborative story. With only two weeks before my departure date, I introduced the project to my class.
According to Eisele, there are five educational objectives for partner stories: to enhance cultural and geographical awareness, to explore social, economic, environmental questions of the time, to engage imagination, cooperation, problem-solving, to empower individuals, and to encourage international friendships that lead to global good (8-9). In my experience, students are always interested in hearing about other places and cultures, but this project attracted me because the potential learning would be so much more powerful and authentic than just reading about Indian culture. It would also be a good way to reinforce collaboration in my classroom. "The individuals in each story group must work together and resolve convict each step of the way in order to produce their part of the story" (p. 9).
Before this opportunity, my students had been studying countries around the world. They were very excited to hear that I would be traveling to India and were full of questions. "Where in India are you going? How old are they? What does their school look like? Do they speak English? What do they speak in India?" I introduced the writing project to them, asking if it'd be something they were willing to participate in. Their enthusiasm was overwhelming. I gave them a story map, similar to one we had used just a few weeks prior to plan realistic fiction stories. I had them take the maps home and fill out the first two sections only (Beginning--characters, setting, problem, and Middle, the events). I told them they could plan the ending if they wished, but that would be the responsibility of Selvaraj's class (the class I'd be working with on this project). I understood some students might need to "see" the ending in order to write their ideas for everything prior to the climax, which is where we would leave off. According to Eisele, "Even though the first authors will have ideas of how the story "should" end up, they can have complete faith in their partners to finish it in a way even better than they are envisioning" (p. 2). My class repeated throughout the process, "I wonder how they'll finish the story!" Although, they were bothered by the fact that its ultimate destiny was not in their hands.

Once students planned a story, they met in their literacy trios (their group of three students assigned by me for students to work and conference with during literacy time) and voted on the story they liked best. Then, each of these story ideas was shared with the whole class and voted on. Ella's fable idea was the voted to be the class story. She introduced the class to the characters, setting, and problem and the class added their own suggestions. I knew it would be important for every student to have a say or at least a vote in the components of the story in order to feel ownership. Once we had settled on the story elements for the story, we used a story mountain poster to plot the events and make sure they were building up to our climax. We ended up having 9 events, which worked perfectly since there were 9 literacy trios. I had each trio work with one of the events, first sketching then drafting what that part of the story would look like and sound like. At the end of each writing day, work that was done was shared with the whole class as a way for students to help each other stay on track and also, to make sure each piece sounded well together and that we weren't leaving any important story elements out. During the revision stage, trios exchanged drafts and helped each other revise to make their draft clearer and more interesting. As a final touch, my students wrote "All About Me" biographies to share with Selvaraj's class.

With the fist half done, I was feeling good about the project. The story was about a girl, named Laina, who rode into the forest on her horse, Trust, to pick berries for her mother to use to make pies. In the forest, a tricky raven tried to fool Laina into picking berries for him to eat. The story left off with Raven trapping Laina in his nest while feasting on the berries she had worked so hard to pick. I packed up the finalized pages, the story map, and the story mountain in my suitcase to use in Auroville. When I started working at Aikiyam school, I met with Selvaraj and we put together a schedule. When I visited and spoke to the students in Selvaraj's class, Selvaraj had already shown his class the story and my students pictures and biographies. The students were so excited to hear that I was a teacher in America and that I'd be working with them.
Teaching in Selvaraj's class was one of the most special experiences I've had as a teacher. Selva and I were able to bounce ideas off of each other and I was able to model many teaching techniques that Selva had never seen before, as he explained to me. The vis-a-vis pen and sticky notes were very exciting to both students and the teacher, too! I was sure to leave these with Selva for future use. The students were such hard workers, especially considering that many of the tools and procedures and language I used were new to them. On the first day, I read the story to them and we practiced finding the story elements on the story map I brought with me. Then we read the events on the story mountain and practiced finding them within the pages of the story. Using sticky notes, I wrote some key language and I called on students to find the word on the story mountain and stick the sticky note on top of the corresponding word. The following day, we brainstormed ideas as a whole class for how to finish the story. This was more time consuming than I thought it would be, especially thinking of an ending that wrapped everything up. Selvaraj tried to help me explain to the class in Tamil that a good ending would teach a lesson or leave it so readers had no questions. Finally, after teaching them how to show a thumbs-up, thumbs-down to voice their opinion they had come up with a good ending.


I was pleased with the elements the students introduced. I had hoped that each class would write their half in a way that revealed elements of their own culture. Selvaraj's class introduced a new character, Elephant, which did exactly that! Some other elements of culture that were apparent was my students' use of miles and the food, pies. These were strange words to Selvaraj's students, as were "cabin" and "Trust." I also noticed that Selvaraj's class was more inclined to reference the characters by pronoun or by species, than by name. The horse, the girl, the elephant, the raven are examples of this. Overall, the story was cohesive and the illustrations were lovely! One of my favorites was a picture of Laina in very bright, Indian style clothing. The students wrote biographies to share with my class and I snapped photos of each of them.

The proudest memories were to follow. Each student received his or her own copy of the book, in color, biographies and student photos and all. The smiles on their faces when holding a copy of THEIR book were unforgettable. We read the book again, together, and discussed what they learned or noticed about the other class. We talked about what culture meant (which was new learning for them) and practiced identifying some of the representations I mentioned above. Eisele explains, "The students decide on the themes and conflicts that provide the impetus for their story, and shape it using their individual or community expereicens. It becomes, therefore, a survey of the perception of the owrkd through the eyes of the project partners" (p. 8).
Many students carried their books wit them and shared it with other students during tea time, and many couldn't resist to show Shankar, the principal. They were so proud, and rightfully so. The next morning, several approached me to say that they were practicing writing stories at home. Any teacher would love to hear this, but the fact that many of these students had never seen themselves as writers before or seen their work bound in a beautiful, published piece before made it that much more powerful.
My students enjoyed listening to the ending and were so amazed at the illustrations their partner class did. It is true, those students were quite the artists. "Illustrations are a way for the partners to explore the other's world through its artwork" (Eisele, p. 2). This was the reason I purposely spent time having the students add illustrations, as the students' learning wouldn't be complete without seeing their artwork and visual interpretations of the story. They were so interested in seeing their pictures and hearing their "All About Me" pages to discover the students' names and what kinds of things they like. According to Lazrev, "information of some sort about the sending students is a critical element of the Story Project, as it can be the key to the children's relating to one another as friends" (p. 3). We also had a discussion about culture and my class was able to make several conjectures on their own. After studying countries and cultures all year, this was the most authentic, powerful, and true learning the they had.
Working with Selvaraj and his class made me realize that there is so much more to learn about teaching and learning in the world that can't be learned without this kind of collaborative work. I've always wanted to teach abroad, but this was more meaningful to me because it also helped my students at home learn more about the world. I hope to continue working with Selvaraj and other teachers from Aikiyam next year, so that my future classes continue to gain a wider perspective of the world they live in.
My professor, Jean, was a big help. She had done and assisted teachers who had done similar projects and I was able to see many examples. She shared a book, The Partnership Stories Project Directory by Jean Eisele, which provided some theory and tips for implementing partner stories. She communicated with Selvaraj and coordinated the project. Selva had done a similar project with another UW student in the past, and seemed excited to work with me on another collaborative story. With only two weeks before my departure date, I introduced the project to my class.
According to Eisele, there are five educational objectives for partner stories: to enhance cultural and geographical awareness, to explore social, economic, environmental questions of the time, to engage imagination, cooperation, problem-solving, to empower individuals, and to encourage international friendships that lead to global good (8-9). In my experience, students are always interested in hearing about other places and cultures, but this project attracted me because the potential learning would be so much more powerful and authentic than just reading about Indian culture. It would also be a good way to reinforce collaboration in my classroom. "The individuals in each story group must work together and resolve convict each step of the way in order to produce their part of the story" (p. 9).
Before this opportunity, my students had been studying countries around the world. They were very excited to hear that I would be traveling to India and were full of questions. "Where in India are you going? How old are they? What does their school look like? Do they speak English? What do they speak in India?" I introduced the writing project to them, asking if it'd be something they were willing to participate in. Their enthusiasm was overwhelming. I gave them a story map, similar to one we had used just a few weeks prior to plan realistic fiction stories. I had them take the maps home and fill out the first two sections only (Beginning--characters, setting, problem, and Middle, the events). I told them they could plan the ending if they wished, but that would be the responsibility of Selvaraj's class (the class I'd be working with on this project). I understood some students might need to "see" the ending in order to write their ideas for everything prior to the climax, which is where we would leave off. According to Eisele, "Even though the first authors will have ideas of how the story "should" end up, they can have complete faith in their partners to finish it in a way even better than they are envisioning" (p. 2). My class repeated throughout the process, "I wonder how they'll finish the story!" Although, they were bothered by the fact that its ultimate destiny was not in their hands.

Once students planned a story, they met in their literacy trios (their group of three students assigned by me for students to work and conference with during literacy time) and voted on the story they liked best. Then, each of these story ideas was shared with the whole class and voted on. Ella's fable idea was the voted to be the class story. She introduced the class to the characters, setting, and problem and the class added their own suggestions. I knew it would be important for every student to have a say or at least a vote in the components of the story in order to feel ownership. Once we had settled on the story elements for the story, we used a story mountain poster to plot the events and make sure they were building up to our climax. We ended up having 9 events, which worked perfectly since there were 9 literacy trios. I had each trio work with one of the events, first sketching then drafting what that part of the story would look like and sound like. At the end of each writing day, work that was done was shared with the whole class as a way for students to help each other stay on track and also, to make sure each piece sounded well together and that we weren't leaving any important story elements out. During the revision stage, trios exchanged drafts and helped each other revise to make their draft clearer and more interesting. As a final touch, my students wrote "All About Me" biographies to share with Selvaraj's class.
With the fist half done, I was feeling good about the project. The story was about a girl, named Laina, who rode into the forest on her horse, Trust, to pick berries for her mother to use to make pies. In the forest, a tricky raven tried to fool Laina into picking berries for him to eat. The story left off with Raven trapping Laina in his nest while feasting on the berries she had worked so hard to pick. I packed up the finalized pages, the story map, and the story mountain in my suitcase to use in Auroville. When I started working at Aikiyam school, I met with Selvaraj and we put together a schedule. When I visited and spoke to the students in Selvaraj's class, Selvaraj had already shown his class the story and my students pictures and biographies. The students were so excited to hear that I was a teacher in America and that I'd be working with them.

I was pleased with the elements the students introduced. I had hoped that each class would write their half in a way that revealed elements of their own culture. Selvaraj's class introduced a new character, Elephant, which did exactly that! Some other elements of culture that were apparent was my students' use of miles and the food, pies. These were strange words to Selvaraj's students, as were "cabin" and "Trust." I also noticed that Selvaraj's class was more inclined to reference the characters by pronoun or by species, than by name. The horse, the girl, the elephant, the raven are examples of this. Overall, the story was cohesive and the illustrations were lovely! One of my favorites was a picture of Laina in very bright, Indian style clothing. The students wrote biographies to share with my class and I snapped photos of each of them.
The proudest memories were to follow. Each student received his or her own copy of the book, in color, biographies and student photos and all. The smiles on their faces when holding a copy of THEIR book were unforgettable. We read the book again, together, and discussed what they learned or noticed about the other class. We talked about what culture meant (which was new learning for them) and practiced identifying some of the representations I mentioned above. Eisele explains, "The students decide on the themes and conflicts that provide the impetus for their story, and shape it using their individual or community expereicens. It becomes, therefore, a survey of the perception of the owrkd through the eyes of the project partners" (p. 8).
Many students carried their books wit them and shared it with other students during tea time, and many couldn't resist to show Shankar, the principal. They were so proud, and rightfully so. The next morning, several approached me to say that they were practicing writing stories at home. Any teacher would love to hear this, but the fact that many of these students had never seen themselves as writers before or seen their work bound in a beautiful, published piece before made it that much more powerful.
My students enjoyed listening to the ending and were so amazed at the illustrations their partner class did. It is true, those students were quite the artists. "Illustrations are a way for the partners to explore the other's world through its artwork" (Eisele, p. 2). This was the reason I purposely spent time having the students add illustrations, as the students' learning wouldn't be complete without seeing their artwork and visual interpretations of the story. They were so interested in seeing their pictures and hearing their "All About Me" pages to discover the students' names and what kinds of things they like. According to Lazrev, "information of some sort about the sending students is a critical element of the Story Project, as it can be the key to the children's relating to one another as friends" (p. 3). We also had a discussion about culture and my class was able to make several conjectures on their own. After studying countries and cultures all year, this was the most authentic, powerful, and true learning the they had.
Working with Selvaraj and his class made me realize that there is so much more to learn about teaching and learning in the world that can't be learned without this kind of collaborative work. I've always wanted to teach abroad, but this was more meaningful to me because it also helped my students at home learn more about the world. I hope to continue working with Selvaraj and other teachers from Aikiyam next year, so that my future classes continue to gain a wider perspective of the world they live in.